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・ The Talent Shop
・ The Talent Show Story
・ The Talented Mr. Ripley
・ The Talented Mr. Ripley (film)
・ The Talented Mr. Ripley (soundtrack)
・ The Talented Tenth
・ The Talented Touch
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・ The Tales of Alvin Maker
・ The Tales of Bearsworth Manor
・ The Tales of Beatrix Potter
・ The Tales of Beatrix Potter (ballet)
・ The Tales of Beedle the Bard
・ The Tales of Ensign Stål
・ The Tales of Hoffmann
The Tales of Hoffmann (film)
・ The Tales of Hoffmann discography
・ The Tales of Ise
・ The Tales of Para Handy
・ The Tales of Robin Hood
・ The Tales of the Argonauts
・ The Tales of Walenir
・ The Talgai Skull
・ The Taliban Shuffle
・ The Talisman (ballet)
・ The Talisman (comics)
・ The Talisman (King and Straub novel)
・ The Talisman (Scott novel)
・ The Talisman Ring
・ The Talismans of Shannara


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The Tales of Hoffmann (film) : ウィキペディア英語版
The Tales of Hoffmann (film)

''The Tales of Hoffmann'' is a 1951 British Technicolor film adaptation of Jacques Offenbach's opera ''The Tales of Hoffmann'', written, produced and directed by the team of Michael Powell and Emeric Pressburger working under the umbrella of their production company, The Archers.
The opera film stars Robert Rounseville, Moira Shearer, Robert Helpmann and Léonide Massine, and features Pamela Brown, Ludmilla Tchérina and Ann Ayars. Only Rounseville and Ayars sang their own roles.
It uses a soundtrack recorded for the film conducted by Sir Thomas Beecham; principal singers apart from Rounseville and Ayars were Dorothy Bond, Margherita Grandi, Monica Sinclair and Bruce Dargavel; the Royal Philharmonic Orchestra plays. The film's production team includes cinematographer Christopher Challis and production and costume designer Hein Heckroth, who was nominated for two 1952 Academy Awards for his work.
==Plot==

*In the prologue, Hoffmann is in the audience at a performance by Stella, a prima ballerina. Stella sends Hoffmann a note asking him to meet her after the performance, but the note is intercepted by his rival, Councillor Lindorf. Not having received her note, Hoffmann goes to the tavern in the interval, where he tells the story of a clown, Kleinzach and three stories of his past loves — Olympia, Giulietta and Antonia, and gets drunk.
*In the first story, Olympia is an automaton created by scientist Spalanzani and magic spectacle maker Coppelius. Hoffmann falls for the doll, ignorant of her artifice and is mocked when he finally discovers she is 'automatic'.
*In the second story, Hoffmann in Venice falls for Giulietta, a courtesan, but she seduces him to steal his reflection for the magician Dapertutto.
*In the third story, Antonia is a soprano suffering from an incurable illness and must not sing, but the evil Dr Miracle makes her sing and she dies, breaking the hearts of Hoffmann and her father, Crespel.

*Finally, in the epilogue, Hoffmann explains that all three women are all aspects of his love, Stella, who then appears in the tavern and, seeing Hoffmann drunk and incapable, is led away by Councillor Lindorf.

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